Presse

A young interpreter set to find his path in the tenor di grazia repertoire, possessing most of its attributes: elegance of phrasing, quality of projection, art of coloratura, perfect diction.

Displays tremendous ease in the role of the Chaplain. His superb stage presence complements a clear, pure voice. His vocal means allow him to carve each intervention with precision.

A magnificent tenor di grazia, whose voice — rich and light, warm in timbre, delivered with great accuracy and suppleness — seems to have been made for the character of Jean-Pierre. The musicality, with top notes by turns powerful and delicate, transcends an audience already won over by his stage presence.

The voice is for me a vehicle for playing and embodying a character, for creating an atmosphere. I am not chasing fame, and I love above all the team effort.

Kaelig Boche as the Chaplain leaves a lasting impression through his refined singing and dramatic commitment.

He creates a Piquillo that is both funny and deeply touching: naive, tender, in love, capable of fine vocal flights — especially in the second-act finale — and of deeply felt emotion in his prison aria.

The voice is assured and impressive, the brilliance and edge right on target. Tenderness, indignation, jealousy and sorrow are all conveyed with artistry, in the distant lineage of Alain Vanzo.

A Piquillo equal to the character's naive charm, always bounding with energy — a beautiful tenor voice, true and luminous in timbre, that touches precisely at the heart.

He impresses as much with his vocal refinement as with his ease on stage — quite rightly acclaimed at curtain calls.

Die helle, klare Stimme projiziert sich mühelos — biegsam und von einer Sinnlichkeit durchdrungen, die das Musizieren belebt — ausgeprägte Musikalität, Sensibilität und Sorgfalt im Ausdruck des richtigen Gefühls.